{"title":"Books","description":"","products":[{"product_id":"close-encounters","title":"Close Encounters","description":"\u003cp\u003e\u003cstrong\u003eClose Encounters: The Next 500 Years\u003c\/strong\u003e is a critical reader and exhibition catalogue that presents 33 international Indigenous artists from across Canada, the United States, South America, Europe, Australia and New Zealand, including newly commissioned work from Rebecca Belmore, Faye HeavyShield, Kent Monkman, Edward Poitras and Jimmie Durham. Fourteen contributors present essays that map four distinct sub-themes of the exhibition related to the imagined future for Indigenous and non-Indigenous peoples.\u003c\/p\u003e\n\u003cp\u003eBy radically reconsidering encounter narratives between native and non-native people, Indigenous prophecies, possible utopias and apocalypses, this publication proposes intriguing possibilities for the next 500 years. “We all in different measure have carved out the future,” observes Hopi photographer and filmmaker, Victor Masayesva, in his book \u003cem\u003eHusk of Time\u003c\/em\u003e. “We are all clairvoyants, soothsayers, prophets, knowingly assuming our predictions.” \u003c\/p\u003e\n\u003cp\u003eFeatured artists: KC Adams, Maria Thereza Alves, Shuvinai Ashoona, Mary Anne Barkhouse, Michael Belmore, Rebecca Belmore, Colleen Cutschall, Wally Dion, Jimmie Durham, Rosalie Favell, Jeffrey Gibson, Brett Graham, Faye HeavyShield, Marja Helander, Jonathan Jones, Brian Jungen, James Luna, Kavavaow Mannomee, Tracey Moffatt, Kent Monkman, Reuben Paterson, Archer Pechawis, Edward Poitras, Postcommodity, Pudlo Pudlat, Lisa Reihana, Paul Anders Simma, Doug Smarch Jr., Skawennati, Christian Thompson, Marie Watt, Linus Woods, Lawrence Paul Yuxweluptun.\u003c\/p\u003e\n\u003cp\u003eCurators: Candice Hopkins, Steve Loft, Lee-Ann Martin, Jenny Western\u003c\/p\u003e\n\u003cp\u003eContributors: Richard William Hill, Niigaanwewidam James Sinclair, Megan Tamati-Quennell, Joane Cardinal-Schubert, Edward Poitras, David Garneau, Jaimie Isaac, Victor Masayesva Jr., Loretta Todd\u003c\/p\u003e\n\u003cp\u003eEditor: Sherry Farrell Racette\u003c\/p\u003e\n\u003cp\u003eDesign: Sebastien Aubin\u003c\/p\u003e\n\u003cp\u003ePublished by Plug In Editions.\u003c\/p\u003e\n\u003cp\u003ePresented by the \u003ca class=\"ext\" title=\"Winnipeg Cultural Capital of Canada 2010\" href=\"http:\/\/www.artsforall.ca\/\"\u003eWinnipeg Cultural Capital of Canada 2010\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eOrganized by \u003ca title=\"Plug In ICA\" href=\"http:\/\/www.plugin.org\/\"\u003ePlug In Institute of Contemporary Art\u003c\/a\u003e with \u003ca class=\"ext\" title=\"Winnipeg Art Gallery\" href=\"http:\/\/www.wag.ca\/\"\u003eThe Winnipeg Art Gallery\u003c\/a\u003e,\u003ca class=\"ext\" title=\"Urban Shaman\" href=\"http:\/\/urbanshaman.org\/\"\u003eUrban Shaman: Contemporary Aboriginal Art \u003c\/a\u003eand partnering organizations\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-921381-36-5\u003c\/p\u003e\n\u003cp\u003eHard cover, 224 pp, full colour.\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482112,"sku":"","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/closeencounters.png?v=1400002593"},{"product_id":"my-winnipeg","title":"My Winnipeg","description":"\u003cp\u003eGuide of the artistic scene \u003c\/p\u003e\n\u003cp\u003eThis book was published on the occasion of the exhibition, \u003cem\u003eMy Winnipeg\u003c\/em\u003e, co-produced by La Maison rouge in Paris, du Musee International des Arts Modestes in Sete and Plug In Institute of Contemporary Art in Winnipeg. \u003c\/p\u003e\n\u003cp\u003eWith text by Paula Aisemberg, Sigrid Dahle, Herve Di Rosa, Robert Enright, Antoine de Galbert, Noam Gonick, Anthony Kiendl, Cathy Mattes, Meeka Walsh.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFrench and English, 2011\u003c\/span\u003e\u003c\/p\u003e","brand":"plugin","offers":[{"title":"Default Title","offer_id":248482126,"sku":"","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/IMG_1458.JPG?v=1482012340"},{"product_id":"queer-spirits","title":"Queer Spirits","description":"\u003cp\u003ePlug In Editions with Creative Time\u003c\/p\u003e\n\u003cp\u003eFrom 2006 to 2009, AA Bronson collaborated with artist Peter Hobbs on the project Invocation of the Queer Spirits.  The rituals that resulted are evoked, and invoked in Queer Spirits, Bronson and Hobbs’ diaristic and imagistic exploration of the project.\u003c\/p\u003e\n\u003cp\u003e176 pages\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482130,"sku":"","price":34.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/queer_spirits.jpg?v=1400004561"},{"product_id":"informal-architectures","title":"Informal Architectures: Space and Contemporary Culture","description":"\u003cp\u003eInformal Architectures: Space and Contemporary Culture is a compilation of new and classic writing and visual art on spacial culture in modernity post 9\/11. Contributors include established figures in the fields of cultural studies, art theory, urbanism and design.\u003c\/p\u003e\n\u003cp\u003eInformal Architectures creates an alternative perspective on the built environment through contemporary culture by focusing on the works and writing of international artists such as Dan Graham, Marjetica Potrc, and Gordon Matta-Clark. Particular attention is paid to spaces that are in some way temporary, contingent, marginal, or fictional in order to critically analyze the meaning of art, and to provide a tenable counter-narrative to architecture’s dominant ideologies concerning the monumental and technological imperatives. Diverse perspectives are mobilized in order to question paradigms of modernity and post-modernity, such as progress, irony and rationalism. Informal Architectures: Space and Contemporary Culture examines theories or and relations to space from descriptive, analytic and creative perspectives in a number of disciplines. It puts forward alternative strategies and criteria for the creation, representation and interpretation of space and its cultural implications. Informal Architectures features essays, artworks and images, with a particular interest in decay, monument, ruin, weakness, permanence, waste and consumption.\u003c\/p\u003e\n\u003cp\u003eJune 2008 Hardback 240 pages 180 b\/w and colour ills 28.0 × 23.0 cm 11.0 × 9.0 in ISBN13: 978 1 906155 33 9\u003c\/p\u003e\n\u003cp\u003eEditor Anthony Kiendl\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482138,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/informalarchitectures.jpg?v=1400002900"},{"product_id":"scratching-the-surface-the-post-prairie-landscape","title":"Scratching the Surface: The Post-Prairie Landscape","description":"\u003cp\u003eScratching the Surface: The Post-Prairie Landscape is a multi-platform, cross-disciplinary project exploring the changing face of Winnipeg through a genre that continues to haunt the Canadian subconscious. Entwining history and zeitgeist, the meaning of “landscape” mutates with every shift in the social and cultural attitudes of its inhabitants. In this context, the “Post-Prairie” is a question that reveals itself in the relationship between people and place. Through the works of a prescient group of artists, writers, filmmakers, musicians, playwrights, and many whose practice escapes definition, this question took shape. With an exhibition, a pair of panel discussions, a film and video screening, and conversations that continue to mine the implications of this subject, this iteration of the Post-Prairie became real.\u003c\/p\u003e\n\u003cp\u003eEditor Steven Matijcio\u003c\/p\u003e\n\u003cp\u003eArtists: Keith Berens, Melanie Bone, Paul Butler, Daniel Dueck, Simon Hughes, Jean Klimack, Wanda Koop, Sylvia Matas, Kazuteru Miyauchi, Kim Ouellette, Robert Pasternak, David Perrett, Tim Schouten, Doug Smith, Jennifer Stillwell, Ewa Tarsia, Esther Warkov, Calvin Yarush, Collin Zipp.\u003c\/p\u003e\n\u003cp\u003eWriters: Alison Calder, Jon Paul Fiorentino, Tomson Highway, Catherine Hunter, Rob Kovitz, Robert Kroetsch, Steven Matijcio, Cyrus Smith.\u003c\/p\u003e\n\u003cp\u003eRetail Price: $25.00 CDN Hardcover 207 pages 16cm × 23 cm ISBN: 978-0-921381-33-4\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482140,"sku":"","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/scratchingthesurface.jpg?v=1400002564"},{"product_id":"dark-oclock","title":"Dark O'Clock","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\n\u003cspan class=\"field-label-inline-first\"\u003eArtists: Doug Ischar, Glenn Ligon, Mathew Jones,\u003c\/span\u003e Stephen Andrews, Wanda Koop\u003cspan class=\"field-item\"\u003e\u003ca href=\"http:\/\/plugin.org\/shop\/artists\/all\/wanda-koop\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003eDark O’Clock addresses the work of five artists who purposely obscure or subvert simple ideological readings of their work and repeatedly showcase beguiling strategies of seduction to separate the viewer from ideological concerns. \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dquo\"\u003e“\u003c\/span\u003eI’m really into black Americans’ he whispered. ‘Especially when they humiliate me.’ ‘Well,’ I replied, ‘For starters, I really hate your hair.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e—from the series Snapshots, by Glenn Ligon\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482142,"sku":"","price":9.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/darkoclock.jpg?v=1400003194"},{"product_id":"paradise-institute","title":"Paradise Institute","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\n\u003cspan class=\"field-label-inline-first\"\u003eArtists:\u003c\/span\u003e George Bures Miller, Janet Cardiff\u003cspan class=\"field-item\"\u003e\u003ca href=\"http:\/\/plugin.org\/shop\/artists\/all\/janet-cardiff\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003eLike a cubist collage, artists Cardiff and Miller weave numerous strands of visual and textual dialogue in this unique publication recreating their acclaimed mixed-media miniature cinema installation, The Paradise Institute. First exhibited at the 49th Venice Biennale for the Visual Arts, this new genre cinema installation combines moving images, sound and space in an unconventional manner. The experiential work conveys complex and contradictory information that disturbs our perception and subsequently calls into question our understanding of the world.\u003c\/p\u003e\n\u003cp\u003eExquisitely designed by Bruce Mau, this artists’ catalog sports a faux velvet maroon cover, packaged with a Cardiff and Miller Biennale poster. Featured essays by Wayne Baerwaldt, Daniel Birnbaum and Scott Watson. Artists interview with Brigitte Kölle. 2001, English, French, Italian and German text. Hardcover, 6 × 10 inches 168 pp, numerous colour and b\u0026amp;w reproduction\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482144,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/paradise_institute.jpg?v=1400004722"},{"product_id":"cheap-meat","title":"Cheap Meat","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\n\u003cspan class=\"field-label-inline-first\"\u003eArtist: Ken Gregory \u003c\/span\u003e\u003cspan class=\"field-item\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan class=\"field-label-inline-first\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003e90 pages, colour and b\/w illustrations designed by Susan Chafe with fibreboard cover opening on a swing mechanism CD inserted inside back cover ISBN 0-921381-27-1 Plug In Editions 2004\u003c\/p\u003e\nThis fully illustrated monograph published by Plug In ICA, with analysis and commentary by: Robert Enright (Winnipeg writer and critic), Hope Peterson (Winnipeg media artist and colleague), Tapio Makela (Finnish media artist and director of ISEA 2004), and Kathleen Pirrie Adams (writer, critic, Toronto). The book documents Ken Gregory’s career through music and performance, sound creations and eventually the major installation pieces, placing him in the context of recent Canadian art history. Included with the book is a CD with a selection of music and sound works composed by Ken.\n\u003cp\u003eKen Gregory has experimented with form and technology for more than fifteen years, creating interactive computer-based installations. He is currently working on the exploration of the use of computers towards building user-defined interactive computer software and hardware for the making and performing of media art works. He approaches the work through process and intuitive application of tools and ideas, discovering and learning through constant experimentation. Ken Gregory is among a stellar group of Canadian artists that includes David Rokeby, Stan Douglas and Janet Cardiff, whose technology-based art installations are causing international audiences to take note of Canadian artists.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-info product sell\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482148,"sku":"","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/cheapmeatandreams.jpg?v=1400005163"},{"product_id":"memories-of-overdevelopment","title":"Memories of Overdevelopment","description":"\u003cp\u003ePlug In Edition, 1997\u003c\/p\u003e\n\u003cp\u003eRanging as it does from the plainly figurative to apparently formal strategies, the new and recent art in Memories of Overdevelopment throw into question the very conception of abstraction in relation to Diaspora, placing into relief the link between separation from the material and separation from place.\u003c\/p\u003e\n\u003cp\u003eArtists include: Pacita Abad, M. Ligaya Alcuitas, Lani Maestro, Barrios Genara Banzon, Eliza Barrios, Santiago Bose, DIWA, Art Domantay, Cirilo Domine, Imelda Cajipe endaya, Brenda Fajardo, Marlon Fuentes, Vincente Golveo, Mark Orozco Justiniani, Eric Manabat, Rene J. Marquez, Maryrose Mendoza, Manuel Ocampo, Paul Pfeiffer, Pearl Pinga, Maribeth Soldevilla Relano, Paul Robles, Norberto Roldan, SANGGAWA, Joseph Santarromana, Eliseo Art Silva, Carlos Villa.\u003c\/p\u003e\n\u003cp\u003eEssays by Wayne Baerwaldt and Maribeth Relano, Vincente Golveo, Cirilo Domine and Pamela Bailey, Catherine Lord and Yong Soon Min, Luis H. Francia, Santiago Bose, Jessica Hagedorn, Alan deSouza and Anatolio Ubalde.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1996 marked an important year for the Philippines and Filipino diaspora as it signified the hundredth anniversary of the Philippine revolution against Spain and the fiftieth anniversary of its independence from the United States.  This exhibit addresses the experiences of the Filipino diaspora through the artwork of Filipino artists located in the United States, Canada, and Indonesia.  Curated by Pamela Bailey, Cirilo Domine, Vicente Golveo, Catherine Lord, and Yong Soon Min.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default Title","offer_id":248482150,"sku":"","price":17.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/2017-05-19_13-53_page_1.jpg?v=1495221392"},{"product_id":"ride-and-fall","title":"Rise and Fall","description":"","brand":"plugin","offers":[{"title":"Default","offer_id":248482152,"sku":"","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/riseandfall.jpg?v=1400004702"},{"product_id":"libretto","title":"Libretto","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\n\u003cspan class=\"field-label-inline-first\"\u003eArtist: Benny Nemerofsky Ramsay\u003c\/span\u003e\u003cspan class=\"field-item\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan class=\"field-label-inline-first\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003e\u003cem\u003eLibretto\u003c\/em\u003e provides the complete song texts from \u003cem\u003eLyric\u003c\/em\u003e. \u003cem\u003eLibretto\u003c\/em\u003e is a signed and numbered edition of 1,000 and available for $10 each.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482154,"sku":"","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/libretto.jpg?v=1400005207"},{"product_id":"paul-butler-my-mad-skillz","title":"Paul Butler: My Mad Skillz","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003ePaul Butler’s subject is contemporary advertising, its reflection of urban social values, its fascination with superficial beauty, and its glamorization of life. He works in the collage tradition by cutting up magazines and then pasting, reorganizing, and sometimes obscuring the ad imagery with materials like duct tape and vinyl. He also photographs many of his collages in order to restore to them the seamless beauty of the glossy magazine.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003eCollage has had a colourful underground presence in the history of art, from the Cubists of the early 20\u003csup\u003eth\u003c\/sup\u003e century to the Fluxus artists of the fifties, through to the Adbusters, sound-bite samplers and media jammers of the current day. Just as “mad skillz” are associated with hip-hop artists, so they are evidence of Butler’s creative energy and musical influences. Paul Butler carries the torch of collage art for a new generation, as a subversion of popular culture.\u003c\/p\u003e\n\u003cp\u003eAbout his own work, Paul Butler says: “Collage may seem like a retrograde practice in this era of high-speed technology. Who wants to get their hands dirty when you can use clean, efficient technology as your tool? However, I am drawn to hands-on experience because it allows our minds to process information at a speed that exceeds even the fastest computer. Music, as we all know by now, has fallen head-over-heals for the collage aesthetic. DJs and artists such as Kool Keith, DJ Shadow, and Beck sample tracks and rework them into new, up-to-the-minute mixes and compositions, with varying degrees of recognizability or similarity to the original. By the same token, I lift images out of their original contexts (usually magazines) and then decide what I want to retain and what I want to obscure.”\u003c\/p\u003e\n\u003cp\u003eDuct tape, masking tape, vinyl and discarded magazines are Butler’s tool kit in the creation of series such as Art Ads - the conversion of glossy exhibition promos into original art works, Perfect 10 - natural beauties become silhouettes with the use of black duct tape, and Positive Mental Attitude - inspirational posters featuring recycled landscapes. Process and community is key to the production of these art works, and Butler remains true to these ideas with his roving Collage Party, an event that spreads the exuberance of collage throughout the world.\u003c\/p\u003e\n\u003cp\u003eThis is the first major publication on Paul Butler’s work, with foreword by Rodney LaTourelle, and interview with Robert Enright, and essays by Lisa Gabrielle Mark and Cliff Eyland.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482156,"sku":"","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/mymadskillz.jpg?v=1400003175"},{"product_id":"mitch-robertson-567-economies-of-good-and-evil","title":"Mitch Robertson: 567 Economies of Good and Evil","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003eMitch Robertson 5 6 7: Economies of Good \u0026amp; Evil Winnipeg: Plug In Editions, 2007 Co-published by: Oakville Galleries; Confederation Centre Art Gallery; Kenderdine Art Gallery; Saint Mary’s University Art Gallery; Tom Thomson Memorial Art Gallery. Thanks to the Birch Libralato Gallery.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003e5 6 7: Economies of Good \u0026amp; Evil is a catalogue of work by Toronto-based artist Mitch Robertson, placing his most recent project in the context of his career by way of images, texts, and an interview with the artist. It is published for an exhibition of the same title, organized by the Plug In Institute of Contemporary Art (Winnipeg) and Oakville Galleries (Oakville, ON), and travelling to the Confederation Centre Art Gallery (Charlottetown, PEI); the Kenderdine Art Gallery (Saskatoon, SK); Saint Mary’s University Art Gallery (Halifax, NS); and the Tom Thomson Memorial Art Gallery (Owen Sound, ON). This publication features full-colour reproductions of work spanning Robertson’s young, but prolific career, along with texts elaborating the conceptual foundations of his practice. To introduce readers to the artist’s early work, and reflect upon its evolving confrontation of industries surrounding celebrity, tourism, and popular myth, long-time curator Robert McKaskell speaks to Robertson about the life and legacy of his irreverent approach to art-making. From loud, crass gestures of self-promotion and the banality of mass production to cynical subversions of the souvenir market and his inquiry into the icons of exoticism, McKaskell and Robertson discuss the motivations behind what the latter playfully dubs, “family-friendly conceptualism.” His recent venture into symbolic archetypes of good \u0026amp; evil, and Christianity’s controversial corporate makeover, is the subject of Plug In ICA curator Steven Matijcio’s essay “Economies of Faith.” Charting the conflicted relationship between Church and commerce through history, Matijcio analyzes Robertson’s current body of hand-tinted photos, rubbings, paintings, and a modular church through the lens of contemporary religious practice. His analysis, in concert with a trajectory of images and McKaskell’s interview, produce a platform from which to view the punning, yet poignant practice of one of Canada’s most provocative artists.\u003c\/p\u003e\n\u003cp\u003eInterview by Robert McKaskell; Essay by Steven Matijcio Forewords by Anthony Kiendl (Plug In ICA) and Francine Périnet (Oakville) Edited by Paddy O’Brien Design by Andrew DiRosa (SMALL Design] 96 Pages; Colour and Black \u0026amp; White Images.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482158,"sku":"","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/567economiesofgoodandevil.jpg?v=1400005294"},{"product_id":"dominique-rey-selling-venus","title":"Dominique Rey: Selling Venus","description":"\u003cp\u003eDominique Rey is distinguishing herself as one of Canada’s exceptional young photo-based artists. Her work has been a progressive and thoughtful exploration of issues surrounding female identity and sexuality. With this project, she delves into the difficult lives of women living in a controversial netherworld. Selling Venus\/Vénus au miroir presents portraits of exotic dancers, and of the artist herself, at the Crazy Horse dance club in Myrtle Beach, South Carolina. What she reveals is the strengths and weaknesses in their characters, the control and lack of control they have over their lives — through the capture of compelling images. Placed within the broader contextual framework of feminist-based art, Rey’s quietly erotic images strike at the core of human dignity. The work roughly divides into the public sphere (large scale portrait banners of women staring past the viewer), the private (a hall of mirrors where the women contemplate their own image), and the intimate (video installation creating a conceptual dressing room where viewers unwittingly confront themselves in the reflective glass while the women speak). As the bilingual title implies, Selling Venus\/Vénus au miroir traces the journey between these dynamically charged spaces and the duality between the public mask and the private persona. Rey’s photographic interrogation is open-ended, honest, and strong, providing multiple access points for interaction and critical dialogue.\u003c\/p\u003e\n\u003cp\u003eThe contributors to this publication have written provocative texts that both illuminate and question Dominique Rey’s multifaceted and insightful work:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“Surveyor: The Role of the Mirror in the Work of Dominique Rey,” - Steven Matijcio\u003c\/li\u003e\n\u003cli\u003e“Selling Venus\/Venus au miroir ,” - Marie Bouchard\u003c\/li\u003e\n\u003cli\u003e“Dominique Rey,” - Cliff Eyland\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482160,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/sellingvenus.jpg?v=1400004737"},{"product_id":"trance-patrick-traer-janet-werner","title":"Trance: Patrick Traer\/ Janet Werner","description":"\u003cp\u003eTrance was intended as an alternative to the conventional solo survey or retrospective exhibition, in that it explores the collaborative process as an important issue in contemporary art and relates it to work by artists in this community, here the works of Saskatoon artists, Patrick Traer and Janet Werner.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dquo\"\u003e“\u003c\/span\u003e…the structural elements of Traer’s video piece…do not work against Werner’s paintings in the adjoining room. Rather, when combined with the distinctive elements of Werner’s painting, the hitherto abnormal state of suspended consciousness known as a trance may appear altogether standard, the side effect of sustained personal despondency so familiar to late 20th century art and other human realities as to feel reassuring.”\u003cbr\u003e—Wayne Baerwaldt, from the essay, On Trance\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482162,"sku":"","price":9.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/trance.jpg?v=1400005324"},{"product_id":"pierre-molinier-ngbk","title":"Der Schamane und seine Kreaturen","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan class=\"field-label-inline-first\"\u003eArtist:\u003c\/span\u003e Pierre Molinier\u003cspan class=\"field-item\"\u003e\u003ca href=\"http:\/\/plugin.org\/shop\/artists\/all\/pierre-molinier\"\u003e\u003cbr \/\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003eGerman language booklet including essays and black \u0026amp; white prints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr \/\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482164,"sku":"","price":3.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/ngbk.jpg?v=1400006171"},{"product_id":"pierre-molinier-hard-cover","title":"Pierre Molinier 2nd edition","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan style=\"line-height: 1.2;\"\u003ePierre Molinier died on March 3, 1976 at 76 years of age. On his door he pinned the following words: “I’m taking my life. 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It features a number of full colour reproductions of Syed’s paintings, and essays by two curators who have worked closely with the artist over the course of a significant period of growth in his practice. David Liss, Director\/Curator of the Museum of Contemporary Canadian Art in Toronto, provides a candid personal account of a visit he paid to Syed in the text “Painting Disaster and Spectacle in the Age of Anxiety.” Connecting abstract themes of tragedy with the specific events of September 11th, 2001, Liss examines Syed’s prescient ability to capture the anatomy of turmoil in times of human crisis. Translating these intimate observations into a larger methodology befitting the multiple layers of Syed’s work, Steven Matijcio (curator of Plug In ICA) combines sociology, science, star patterns, and close formal analysis in his text “Crowds and Constellations.” Drawing upon fields of crowd theory, swarm intelligence, astrology, and the extensive study of collective behaviour by British-Austrian novelist Elias Canetti (1905–1994), Matijcio constructs a cross-disciplinary language to articulate Syed’s translation of composition into a cartographic instrument. As a whole, this volume charts the development of a prodigious young painter as he traces the cryptic logic of human congregation across chaotic crowds, shadowed landscapes, and the intricacies\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"plugin","offers":[{"title":"Default","offer_id":248482172,"sku":"","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0188\/8928\/products\/crowds_and_constellations.jpg?v=1400004635"},{"product_id":"micah-lexier-david-then-and-now","title":"Micah Lexier: David Then and Now","description":"\u003cdiv class=\"header\"\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\n\u003cspan class=\"field-label-inline-first\"\u003eArtist: Micah Lexier\u003c\/span\u003e\u003cspan class=\"field-item\"\u003e\u003ca href=\"http:\/\/plugin.org\/shop\/artists\/all\/micah-lexier\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field field-type-nodereference field-field-product-artist\"\u003e\u003cspan class=\"field-label-inline-first\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content clear-block\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cp\u003eThis book is a document of Micah Lexier’s project, David Then \u0026amp; Now, which took place in a series of bus shelters in Winnipeg in the summer of 2005. 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