This book of essays proposes a "time capsule" where academic theory and personal narrative converge in an inverted (two-by-two) artistic object. The work explores the "theatricality of life" and the individual's capacity to choose and design their own narrative in the face of the impositions of historical memory. Through a dialogue between Spanish and English, the book functions as a physical metaphor for the migrant condition and the instability of identity. Using the neobaroque style of Severo Sarduy and the engineering of the self of Sergio Blanco, the text moves away from linear testimony to inhabit the simulacrum, proposing that truth is constructed through the conscious editing of the personal archive and the recognition of the body as the primary territory of writing.
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